Tuesday, September 4, 2012

Humoresque - 1946

She walks across the beach in shoulder-padded elegance....
Humoresque, 1946
Humoresque
Humoresque, 2012
Set in the 1940s, Humoresque explores the unbalanced relationship between a young musician and his wealthy patroness. It has all the staples of a good, dramatic film: Dvorak, tears, and lots of scotch. Oh yes, and sequins.

I'm not usually big on re-makes, but I think Hollywood should update this film, complete with a score from Janelle Monae, John Williams, or Esperanza Spalding. (I get 90 percent of the profit for this idea, fyi).

Seriously though, stylish character studies like this one are hard to come by these days. Happy watching!


 

Tuesday, August 21, 2012

Tights

Now is the perfect time to stock up on tights, before the cool of the fall sets in.



Evan Rachel Wood

Zooey Deschanel




Gwen Stefani

Nicki Minaj

Taylor Momsen

Oscar De La Renta Fall 2012
FYI: I'm slipping into my tights like Cyd Charisse from here on out.
 

Tuesday, August 7, 2012

Fashion as Narrative (Pt.1)

Stories are important, just look at your Facebook timeline. When filled out completely it tells a history of your adult life, a constructed public face you want others to see.

Whenever I friend someone new, for example, I find myself clicking through his/her earliest albums and wall posts in order to try to determine who he/she has been over time. (Then I say to myself, "She really did drink Pabst before it was cool." ಠ_ಠ)

Like a web page, fashion is another aspect of ourselves that we assemble for the pleasure of others.  Our clothes and closets are a series of narratives that offer glimpses into the choices we've made and what we have liked over time; these narratives are not always linear, headed toward some perfect sartorial endpoint, but circular. The things we wear go out of style and come back in, sometimes more refined, or in other cases, identical to what was popular before.

And just think: In a few years, you're likely to look down and discover you're wearing a schizophrenic outfit--maybe a thrifted paisley top from the '70s, a metal bracelet made just after 9/11, and the latest platforms from Nordstrom. Our modern outfits tell many stories, blending decades and art movements--produced in places all over the world. Everything we wear is a piece of time and history.

My bracelet of rubies, bought when I was working 3 jobs at once
Popular fashion designers and celebrities love to capitalize on the power of the narratives through tabloid and Twitpic photos, interviews and editorial spreads. Little styling details like bright pink hair, braces, or a signature style help celebrities tell master narratives that they want the public to believe, projecting an identity without words at all.

It's the reason I spend so much time on Tumblr looking at photos of celebrities like Solange, who entrances me just by changing the narrative of her hair.

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Sometimes, I scroll through old photos of myself and wonder what story awaits its end for me? That is to say: what will I wear in the future and will I need to stock up on shoulder-padded power suits like I so desperately want to? (Also, will I ever be as cool as Solange?)

Tuesday, July 10, 2012

Perfume

“He who ruled scent ruled the hearts of men.”
― Patrick Süskind, Perfume: The Story of a Murderer

Tell me about yourself. What scents give you the blues and what do you smell like in the morning after a warm shower? Do you choose your soaps and perfumes carefully at a counter in a department store? Or online after browsing several long descriptions? Or do you merely sweep bars of Irish Spring into your cart from grocery store shelves on Sunday afternoons?

I am guilty of the sweeping part, although I find myself inundated with perfume gifts all the time. After 4 years, though, my free bottle of Juicy Couture has finally run dry, sending me on a sniffing trail for my next scent. Usually, I smell strongly of pine needles in a forest (intermixed with Juicy's sweet notes), but I would like something more...distinguished and classier than that. I want my own signature scent, like a lady!

Because even though smelling like one particular thing might seem boring, people's memories are tied to smells and I'd like to be remembered in unexpected times. I had a teacher in middle school, for example, who wore this incredible musky perfume. Many years later, that same scent wafted to my nose while I was in line at a Target three states away, and I involuntarily looked around for her. I want to give someone else the same whiplash I experienced in Target that night.

Lady Gaga's new perfume, "Fame," will likely have that effect on people, described as the "tears of belladonna, crushed heart of tiger orchidea with a black veil of incense, pulverized apricot and the combinative essences of saffron and honey drops," all contained in a metal bottle (ingenious I tell you!). Yes, it probably just smells like sweet licorice, but if anything embodies her, it's licorice and pulverized apricots. ((Also, have you seen the bottle? (it's not metal, but perhaps this isn't the only edition.))


Often, celebrities use perfumes as an extensions of their images, which in turn, insinuate themselves in our memories and everyday associations. I think we should alter our own scents to be extensions of who we think we are and would like to be, too.

So here is what the ideal me would smell like: Rain-wet picture books, Lothlórien forest wood, Miltonic angels and rose petals, all soaking in a bottle of prickly stems and leaves.

Or ya know, maybe just like plain ol' jasmine.

I'll show myself out now.

Sunday, June 10, 2012

Fashion and Space(s)

Close your eyes for a moment and think about all the floral prints you've bought over the past three years. Consider those large-scale flowers (ones rarely seen in nature) blooming against the neutral background on your favorite dress. And what about the architecture of a shirt you recently purchased, a halter with straps cutting across your shoulder blades? What I mean is, do bias cuts or nature prints have any meaning beyond an aesthetic one to you?

Maybe not, but the trends we wear often reflect our culture's views of the environment. What are those views today for consumers in the United States? I'm not so sure. But it seems I can find only the most ideal parts of city and country in popular clothing chains, lately (like shoulder-padded blazers overgrown with vines). The city is often coded as "objective [and] male," reflected in tailoring and structure, while the country is "subjective, female...ideal," manifest in patterns and prints, according to critic, Lucy Lippard. City and country have been at odds for ages, since the dawn of industry and close knit communities, but these days, it's pretty clear that fashion has successfully blended the two; still, the grittiness of the great outdoors evades us:


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These days, we wear cute, small-scale animals on our bodies instead of rugged animal skins. I can't remember the last time I saw someone wearing a wolf shirt, a head scarf, or mud-colored fatigues. (Side note: I was all over fatigues when Destiny's Child's 'Soldier' came out): 



Even the paisleys prints of the '70s seemed a bit more down-to-earth and realistic than the clothes currently in style. Nowadays, we've nothing but carnations, roses, and other petaled confections all over our shirts. Oh yes, and galaxy prints.

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In a way, I think fashion is so escapist lately because we want to numb ourselves to the harsh realities of soaring student loan debt, unemployment, and general disillusionment. And while we certainly look as great as ever (like modern Monet portraits, even) I'd venture to say that we'd do better to keep in touch with grittiness every once in awhile. 

Sunday, May 20, 2012

I'm Dreaming of Jeannie

Sheer skirts (and tops) are my favorite re-emerging trend of the spring/summer season. The hanging fabric from the skirts does appear non-committal at times, but the sheerness is deliberately sensual, with a hint of magic....very I Dream of Jeannie-esque.

Armani, 2008





















Brooklyn Decker 2012















Rosie Huntingdon, 2011























Cloud Nine 9, 2012